Designed with Purpose and Beauty

Designed with Purpose and Beauty

Charles Darwin published his book On the Origin of Species in 1859, and Ernst Haeckel published drawings of embryos in his book The Natural History of Creation in 1868. Haeckel intended his somewhat inaccurate drawings to support Darwin’s theory by showing that embryo development reflects evolutionary development. As we said in yesterday’s post, those who reject the idea of a creator God try to explain what appears to be designed with purpose and beauty by saying it has no purpose and no designer. Beauty in living things can be a problem, or it can be a blessing, depending on whether you accept or reject the Designer of life.

Physicist and Nobel laureate Steven Weinberg is an atheist who rejects belief in God because of the problem of pain, which we can summarize as: “Why would an all-powerful and loving God allow pain and suffering?” Weinberg explains his view in his book Dreams of a Final Theory. However, he can’t explain the problem of why living things appear to be designed with purpose and beauty. He made the understatement of the century when he wrote, “I have to admit that sometimes nature seems more beautiful than strictly necessary.”

Evolutionary biologist and atheist Richard Dawkins, writing in his book Climbing Mount Improbable, told about a time when he was driving through the countryside with his six-year-old daughter. The girl was excited about seeing “pretty” wildflowers. Dawkins asked his daughter what she thought was the purpose of wildflowers. She replied, “To make the world pretty, and to help the bees make honey for us.” Dawkins said he was sorry that he “had to tell her that it wasn’t true.” According to Dawkins, biology is the study of things that appear to be designed for a purpose, but his atheism forces him to argue that there is no purpose.

The living world around us shows many examples of the problem of beauty. Various species sing songs and perform dances that go beyond what survival would require. Gibbons sing duets, and birds of paradise display their beauty with song and dance. Bower birds go to excess extremes to create works of art. The peacock’s beautiful tail is extravagant from a survival perspective. These animal attributes seem inefficient and not a method to adapt to the environment. They certainly go beyond survival of the fittest to what David Rothenberg, a philosopher at the New Jersey Institute of Technology, calls “survival of the beautiful.”

Is it possible that the excessive beauty of living things is merely an accident, or is life designed with purpose and beauty? What is beauty, and why do we care? We will conclude this discussion tomorrow.

— Roland Earnst © 2022

Beauty in Nature

Beauty in Nature - Peacock
Peacock with Tail Spread

For the past two days, we have talked about beauty in nature and how it often seems to defy the evolutionary principle of survival of the fittest. Darwinists refer to “emergent order” as the process of living things coming into being without any design or intelligent guidance. Instead, they say it was accomplished by a set of simple rules laid out originally by Charles Darwin and refined into what is now known as Neo-Darwinism.

In his 1859 book On the Origin of Species, Darwin presented his principle of natural selection. However, he realized that natural selection acting on random mutations couldn’t explain the “selection” method used in all cases. Moreover, he was troubled by the excess beauty in nature. He saw unnecessary frills and flourish, which he could not explain by natural selection. A year after that book was published, his frustration caused him to write, “The sight of a feather in a peacock’s tail, whenever I gaze at it makes me sick.”

To cover those cases where natural selection can’t explain the beauty in nature, he introduced “sexual selection” in his 1871 book The Descent of Man, and Selection Related to Sex. Sexual selection involves the beauty often seen in male birds in general and peacocks in particular. According to Darwin’s sexual selection theory, the reason for the beauty of the peacock’s tail is that the peahens prefer such gaudy but impractical decorations. The same principle applies to many other species, such as bower birds or birds of paradise, where the males display striking colors or impressive actions to attract a mate.

German zoologist and eugenicist Ernst Haeckel was also an artist. He popularized Darwin through his artwork published in several books. His drawings depict the beauty he saw in even one-celled animals called Radiolaria, and he attributed the beauty to natural selection and mathematical principles. Haeckel was so enamored by Darwin’s hypothesis that he went out of his way to promote it in books of drawings.

Haeckel’s drawings sometimes showed his bias for Darwinism. For example, in The Natural History of Creation (published in German in 1868 and later in English), he displayed drawings that compared human embryos with embryos of various animals, suggesting that the development of those embryos repeats the path of evolution. However, he manipulated his illustrations to prove his point. Other scientists later pointed out the flaws, and his dishonesty discredited his scientific credentials.

However, the books of Haeckel’s drawings were best sellers in their day, and they are still selling even today. Nevertheless, those drawings did not prove design without a designer. We have called the question of how excessive beauty in nature could have evolved by natural selection “the problem of beauty.” Yesterday, we said that we prefer to call it the blessing of beauty—a blessing from God. However, atheists do not see it as a gift from the Creator, and they try to explain it away as accidental. They suggest that what appears to be designed for a purpose has no purpose and no designer. We will look at that tomorrow.

— Roland Earnst © 2022

The Blessing of Beauty

The Blessing of Beauty -Nightingale Song
Nightingale Singing

Yesterday, we talked about the problem of beauty. The question is: “How could natural selection acting on random mutations create beauty which seems to have no survival value?” I suggested that natural selection acting on blind chance mutations cannot explain all of the beauty we see in animals and plants. Let’s continue to think about this as we examine the blessing of beauty.

The blessing of beauty involves more than just visual beauty. A humpback whale’s intricate and beautiful song lasts for half an hour. Does it have anything to contribute to the survival of these mammals? Well, in a way, it does. When human technology reached a point where the humpback’s song could be heard and recorded in the 1960s, more people than whale hunters got a chance to hear it. The exposure of that song to the general population of humans played a large part in the passage of laws preventing the slaughter of those animals. But that is evidence for human appreciation of beauty, not evolutionary natural selection. For those who suggest the male humpbacks use their songs to attract females, there is little to no evidence that the females are even paying attention.

No proponent of Darwinian evolution would suggest that humpback whales are even remotely related to nightingales, but those birds also contribute to the blessing of beauty. They sing long, complex, and beautiful songs, but rather than singing into the ocean, nightingales sing from twilight into the night. As those small birds sit on a branch singing, they make themselves easy prey for predators. Instead of singing for hours in the darkness, why don’t they just be quiet and stay safe until morning?

When scientists tape-recorded nightingales and slowed down the tape, lowering the pitch a couple of octaves, they discovered something very interesting. The result was that the nightingale’s song sounded much like the song of a humpback whale. On the other hand, if you take the humpback whale song and speed it up while raising the pitch, it compares to a nightingale’s song. Why should they be so much alike? Evolutionists like to call this sort of thing “convergent evolution.” I have another suggestion. Perhaps they got their music from the same original Composer.

Since the beauty of bird songs often goes beyond attracting mates for the survival of the fittest, do the birds sing because they love to hear music? I think they are merely doing what their Creator programmed them to do. But why did God design and program these animals to sing? Perhaps the blessing of beauty is God’s gift to us. Beauty brings us joy, eases our stress, and touches our emotions. Because God loves us, He created beauty for us to enjoy. The beauty around us provides an earthly sample of the beauty God has planned for us beyond this life. In other words, beauty is another evidence that God exists. With that in mind, the problem of beauty becomes the blessing of beauty.

Tomorrow, we will look at how beauty was a problem that, according to Darwin, “makes me sick.”

— Roland Earnst © 2022

The Problem of Beauty

The Problem of Beauty

One of the challenges that skeptics use to argue against the existence of God is often called “the problem of pain.” The argument goes something like this: “Why would an all-powerful and loving God allow pain and suffering?” We have dealt with that problem before, including on our website whypain.org. However, there is a contrasting argument for the existence of God that some have called “the problem of beauty.”

The problem of beauty asks the question: “How is it possible that evolution by natural selection could create such beauty in living things?” In other words, “How could natural selection acting on random mutations create beauty which seems to have no survival value?” Darwinian evolution operates on the survival of the fittest. So how can the seemingly simple process of natural selection or survival of the fittest explain many cases of beauty which seem to make animals less fit and thus less likely to survive?

Look around, and you will see beautiful designs that naturalistic evolution attempts to explain without a designer. Why do male cardinals have the beautiful red color? Why do butterflies have such exquisite designs and colors? Some animals display beautiful colors that make them more vulnerable to predators. Birds make sounds that we can describe as beautiful music. A male bird may sing for an hour, announcing himself not only to prospective mates but also to predators. How can those beautiful features promote the survival of the fittest?

Peacocks, lyrebirds, flowers, starfish, butterflies, and seashells all display beautiful features that cannot be fully explained as survival benefits. In some cases, they may be at least partially explained by mathematical principles. But then, where did mathematical principles in our three-dimensional world originate except from the Creator of all things. Why does the nightingale sing beautiful songs to the darkness? Why do some lizards display colorful crests? How can colorblind cuttlefish change their colors at will not just to camouflage but to send messages to other cuttlefish or predators or just to dazzle any observer? Why do flowers display not only beautiful colors but also soothing fragrances? The beauty of nature is visual, auditory, and even fragrant. Most of all, it is priceless.

It seems that natural selection acting on blind chance mutations cannot explain all of the beauty we see in living things–both plants and animals. If natural selection can’t explain it, does that indicate evidence for design by an Artist? Furthermore, how can we explain the fact that humans can recognize and appreciate beauty? Is that because the Artist created us in His image? These questions point out the problem of beauty. I hope you will join me as we continue to consider this problem tomorrow.

— Roland Earnst © 2022

Birds Navigate Across Oceans Using Quantum Effects

Birds Navigate Across Oceans Using Quantum Effects - Bar-Tailed Godwit
Bar-Tailed Godwit

Over the years, we have spoken several times about the migration of birds as an example of God’s design in the creation. The Bar-tailed Godwit seems to be the champion of long-distance travel flying, traveling 7,450 miles (12,000 km) nonstop across the Pacific Ocean from Alaska to New Zealand. Many other bird species make similar long-distance journeys. The question we wonder about is how birds navigate across oceans thousands of miles with no landmarks. How do they know when to make the journey, and how do they manage the energy requirements of such a long flight.

Modern research has shown migrating birds have a compass that relies on quantum effects built into their eyes. These quantum effects use something called “radical pairs” that form photochemically to allow them to see the Earth’s magnetic field lines. Earth’s magnetic field is very weak, especially in equatorial areas. So any normal effect from the magnetic field would not have enough strength to contribute to navigation, but birds navigate across oceans and over the equator.

Retinal cells in the bird’s eye contain proteins called cryptochromes that contain a molecule called flavin adenine dinucleotide (FAD). Tryptophan amino acid stabilizes the FAD, so the molecules are electrically neutral. When a photon of blue light reaches the FAD, a quantum release of electrons makes a radical pair. The electron spin of the radical pair is so sensitive that the Earth’s magnetic field influences it. The bird’s brain detects the quantum changes allowing it to know its flight direction.

This is a simplified explanation of a very complex process by which birds navigate across oceans. Researchers Peter J. Hore and Henrik Mouritsen wrote, “When you next see a small songbird, pause for a moment to consider that it might recently have flown thousands of kilometers, navigating with great skill using a brain weighing no more than a gram. The fact that quantum spin dynamics may have played a crucial part in its journey only compounds the awe and wonder with which we should regard these extraordinary creatures.” We would add to that statement “…and the God who designed them, giving them this amazing ability.”

— John N. Clayton © 2022

Reference: “How Migrating Birds Use Quantum Effects to Navigate” Scientific American April 2022.

Magnetosphere Display Protecting Life on Earth

Magnetosphere Display Protecting Life on Earth

As the Sun approaches an eleven-year maximum of its magnetic cycle, solar flares and eruptions occur with increasing frequency and violence. That means the Sun is blasting out a massive cloud of fast-moving electrons, protons, and ions in all directions. To see the magnetosphere display this creates on Earth, go to apod.nasa.gov for March 22, 2022. There you will see what NASA calls “A Whale of an Aurora over Swedish Forest.”

The cloud of particles from the Sun would cause huge damage to life if it reached us unobstructed by Earth’s magnetic field and atmosphere. Earth’s magnetosphere deflects the charged particles coming toward us from the Sun. As Earth’s magnetic field moves the particles toward the poles, they hit molecules in our atmosphere, causing them to glow in a magnetosphere display that we call an auroral corona.

Most people in the higher latitudes of North America can go outside late at night and away from the city lights and see the aurora borealis or “northern lights.” Here in Michigan, the glow in the north was yellow and orange. In a northern city like Östersund, Sweden, the aurora was blue-green and high in the sky. The APOD picture may look like a whale to some, but I think it looks like an eagle. The color of the aurora depends on what elements are being hit by the solar emissions. The green is from oxygen, but orange and red come from hydrogen higher up in the atmosphere.

Earth’s magnetic field is essential as a shield to prevent radiation damage to all life. Scientists don’t fully understand what causes the magnetic field, but it is just right to allow life on this planet. Life would have to be underground for protection on planets with no magnetic field. When God created Earth, He gave it a magnetic field of just the right strength and geographic distribution to allow life to exist. This is another great testimony to the wisdom built into the creation process that formed our planet.

— John N. Clayton © 2022

Phenotypic Plasticity and Life

Red Eared Slider Turtle and Phenotypic Plasticity
Red Eared Slider Turtle

There are so many examples of design in God’s creation that we often overlook them. One example that has been a problem for evolutionists is the cause of the variability of traits in organisms. Scientists call it phenotypic plasticity. For example, what determines whether the sex of an offspring is male or female? Biologists tell us that it is a matter of genetics, but that isn’t always the case.

When a red-eared slider turtle deposits her eggs, the place where she lays them determines the sex of the baby turtles. If she lays her eggs in a cool place, the babies will be males. If she lays her eggs in a warm sunny spot, the baby turtles will be females. The environment where the eggs are laid controls the ratio of males to females and limits the time of year when more females will be available to produce more offspring.

Sometimes the physical shape of an animal and its diet are determined by the environment in which it finds itself. The Mexican spadefoot toad is a classic example. The tadpoles of this toad will typically feed on plankton and algae, but occasionally a tadpole will find itself in a pool that is rich in fairy shrimp. The shape and diet of the tadpole that has eaten the shrimp will change. It now becomes a carnivore with a broad head and a new shape ideal for fast swimming.

We also see this ability to change as a function of environmental conditions in some plants. For example, cabbage white butterfly caterpillars sometimes attack wild radishes. When this happens, the plant immediately begins producing chemicals in its leaves to repel the caterpillars. Trait variability is a significant issue in evolution. In Charles Darwin’s book On the Origin of Species, he spent the first two chapters trying to explain this problem, but he never succeeded.

The ability to change as the environment changes is a design feature of many life forms. Phenotypic plasticity is a testimony to the wisdom and design that God built into all life.

— John N. Clayton © 2022

Reference: American Scientist magazine, March/April 2022, pages 94-103.

The Size of the Cosmos

The Size of the Cosmos
Logarithmic Illustration of the Cosmos by Pablo Carlos Budassi CC by SA 4.0

We have often mentioned NASA’s Astronomy Picture of the Day (APOD). Their March 16, 2022, post showed the above diagram of the OBSERVABLE universe. The emphasis on the word observable is because astronomers have realized that what we can see is only part of the creation. Our technology allows us to appreciate the size of the cosmos. When you look into space with today’s most powerful telescopes, you can see far beyond our Milky Way galaxy.

We can observe that there are billions of galaxies with different shapes, and each contains billions of stars. However, visible light is limited. Just as the light from a lightbulb appears less bright as you move further away from it, visible radiation from distant objects becomes dimmer the farther away they are. As a result, science has developed new instruments to see radiation other than visible light, such as Xrays and microwaves. In addition, we now have devices that can detect neutrinos and gravitational waves from objects still farther away.

Everything we can detect operates by the same physical laws that govern our own tiny part of space. So any suggestion that there could be universes with different physical laws and physical constants is pure speculation.

The more we learn about the size of the cosmos as we use improved instruments, the more obvious it becomes that the creation is too vast for us to comprehend. The cosmos speaks of design, power, and creative expression beyond what our technology can perceive.

The NASA website reveals higher dimensions, and the size of the cosmos speaks to us of a God beyond our comprehension. In the words of Psalms 19:1, “The heavens declare the glory of God and the skies show his handiwork.”

— John N. Clayton © 2022

On Wikimedia, you can see the above logarithmic illustration with annotations identifying the objects. In addition, you can find some of our previous APOD references HERE, HERE, HERE, and HERE.

Creation of Heaven and Earth

Creation of Heaven and Earth

As scientists find more and more evidence, the picture of creation becomes clearer. That is not to say that science has the entire creation of heaven and Earth figured out. However, studies have allowed us to see what was done, even if we don’t understand and will never in this life understand how it was done.

Science has identified four fundamental forces involved in creation. They are the electromagnetic force, the weak nuclear force, the strong nuclear force, and the gravitational force. These forces work on particles that science has observed or particles for which science has found evidence but has not observed. For example, photons are responsible for electromagnetism. Particles called gluons are responsible for nuclear forces, with eight gluons causing the strong nuclear force and three gluons causing the weak nuclear force.

The recently discovered particle called the Higgs boson gives mass to the force particles and controls their behavior. Physicists are studying how that happens and looking for a particle that causes the gravitational force. As research continues, science strongly suggests that those forces began as a single force. Our standard rules of physics cannot deal with this concept, and the time during which the forces originated is called the “Planck era.” The creation of heaven and Earth is not a simple process, and science is trying to understand it.

The so-called “standard model” of particle physics has so much supporting evidence that most physicists accept it as a starting point to understanding the process of creation. Some scientists have developed an approach called “string theory” to understand what took place in the Planck era. The mathematics of string theory forces us to believe that creation has come about from dimensions higher than our own. A prominent string theory called “bulk” has creation originating in an 11-dimensional arena. We live in a three-dimensional world with time as a fourth-dimensional quantity. The idea of 11 dimensions is beyond our comprehension. We can describe it mathematically, but we cannot visualize it.

The Bible summarizes the creation of heaven and Earth by simply indicating that an Intelligence in a far higher dimension than our own created time, space, and the physical world in which we exist. “In the beginning, God created the heaven and the earth” accurately describes what our research and observations tell us.

In summary, there was a beginning often described as the “big bang.” At that beginning, there was Planck time when our laws of physics did not apply. The creation event was caused by “Elohim,” an intelligence outside of space/time who operates in dimensions outside of our physical universe. The creation included the matter/energy from which everything is made and the three-dimensional space, “shamayim,” translated “heaven” in your Bible. It also included the planet we call home, “erets” in Hebrew, created from that matter/energy. The more we know of the creation, the more we know of the Creator.

— John N. Clayton © 2022

Reference: “Imaging Our Infant Universe” by Sten Odenwald in Astronomy magazine, April 2022, pages 16-23 or on www.astronomy.com

You can see a chart of the text of Genesis 1:1 to 2:3 HERE. You will find a chart of Hebrew words from Genesis and their definitions HERE.

Drifting Along With the Breeze

Drifting Along With the Breeze - Tumbleweed

Plants disperse their seeds in various ways. Many of them allow their seeds to be carried away by the wind. A method used by other plant species involves allowing the entire plant to go drifting along with the breeze. We call them tumbleweeds.

Tumbleweeds have often been associated with the American southwest, but they exist in primarily arid or desert areas in many countries of the world. A tumbleweed is simply a plant that breaks off from its roots and rolls along in the wind. Sometimes only part of the plant carrying the seeds breaks off. Also, some plants that produce spores rather than seeds become tumbleweeds.

As the plant is drifting along with the breeze, it scatters the seeds or spores over a wide area. This seed dispersal system works well in dry, open, windy areas. Unfortunately, sometimes it works too well. Humans have accidentally transported tumbleweeds from their native environments into new areas where they become invasive species. Sometimes they get caught in fences or get tangled with each other. These tumbleweed clusters can even grow large enough to block roads or houses. On the other hand, tumbleweeds can be beneficial by serving as food for animals or livestock in the dry rangelands. What could be better than for your food to come drifting along with the breeze right to you?

For the tumbleweeds to disperse their seeds and bring new life, they have to die first. As the dead plant degrades, the seeds are released, and new life begins in the desert. Jesus Christ said, “Unless a kernel of wheat falls to the ground and dies, it remains only a single seed. But if it dies, it produces many seeds” (John 12:24). Jesus spoke those words knowing that He would soon give His life. However, from His death would come new life for all who will accept it because He rose to conquer death. Jesus was not just drifting along. He knew exactly what he was about to do, and He did it for you and me.

— Roland Earnst © 2022